Month: February 2015

RIP Leonard Nimoy: 1931-2015

Leonard Nimoy, best known for his role as Mr. Spock in the Star Trek franchise, passed away today from end-stage chronic obstructive pulmonary disease. He was 83.

Nimoy had a long and storied career both as Mr. Spock and in other ventures. He set the standard for how aliens were portrayed in science fiction, elevating the character from the green-skinned monster that had been the norm to that point. He became a sex symbol, role model and icon, making it OK to be “different.”

Nimoy became a Twitter celebrity in his final years. His last tweet is a sweet, poigniant reminder:

Rest in peace, Leonard Nimoy. You lived long and prospered.

Macworld Review: Vivosmart finds its place by not trying to be a smart watch

My latest Macworld article is a review of Garmin’s Vivosmart. It’s a fitness band that looks to differentiate itself from Apple’s offering by being a fitness tracker with smartphone features, rather than a smartwatch that also happens to track your activity.

I think it’s a smart move by Garmin: get a great fitness band with some useful features at half the price of the Apple Watch. And you don’t have to wait until April to get one.

You can read the full review on Macworld.com.

It couldn’t happen to a nicer guy: Chris Breen leaves Macworld for Apple

Veteran Mac journalist and author Christopher Breen has left Macworld to join a “fruit-flavored tech company sandwiched between Santa Clara and Sunnyvale.”

Breen made the announcement on his personal blog, and confirmed it on Macworld.com.  “There are loads of reasons for the change, but blend them together and they add up to my desire to try something different before I don the large shorts and spend the bulk of my remaining days looking for my misplaced spectacles,” Breen wrote.

Chris has been a staple in Mac journalism for almost 30 years, and in that time earned a reputation as fair, honest, funny and smart. In addition to his work on Macworld, he’s authored several books, hosted innumerable podcasts and appeared on TV shows and user group meetings—all with a self-effacing, humble attitude that was as genuine as it seemed.

I’ve been a fan of Chris for more years than I can count, and have had the wonderful privilege of not only meeting him, but coming to count him as a dear friend, bandmate and colleague.

As a result of his new role, Chris will be retiring his tech persona. “I’ll be leaving the public stage as Chris Breen Technology Guy (though I may still pop up as Chris Breen Musician Guy at a saloon near you).”

As is typical of moves to that fruit-flavored tech company, Chris is mum about what his new role will entail. I can only hope that Apple knows what they have in Chris and that they take full advantage of his talents.

I couldn’t be happier for him and I wish him nothing but success in this new chapter of his life. It quite literally couldn’t happen to a nicer guy.

Beyond Cut and Paste: 20 keyboard shortcuts that will make you a more powerful Mac user

In my latest article for Macworld, I explain 20 (or so) keyboard shortcuts that can make using your Mac a lot more efficient. I like to think of these at “Mac 201” rather than Mac 101, since they go beyond the most basic keyboard commands.

I’m also thinking about doing a short video on the same topic—I think it might be a little easier to convey that way (and I want to try out my video demo chops anyway.)

The article is available on the Macworld website.

Audio Hijack 3 is a must-have upgrade that adds fun to a powerful utility

Rogue Amoeba released Audio Hijack 3, a major update to its audio capture and recording utility. The new version features a completely overhauled interface that makes creating and using recording workflows much easier and looks amazing.

The old: Powerful, but imposing
For years, Rogue Amoeba’s Audio Hijack Pro has been an essential utility for capturing, mixing and recording audio traveling through you Mac. And when podcasting took off, Audio Hijack obtained legendary status, making it inexpensive and relatively easy to boost production values, making it possible for indy podcasters to sound like much bigger studios.

But all that power was somewhat hidden behind a skeuomorphic interface of dials, knobs and switches, and the program’s tabbed interface made it tough to get a holistic view of your workflow.

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