Category: Uncategorized

Ulysses gains WordPress publishing support, other features

I’ve mentioned that pretty much every word I write for Macworld and The Mac Observer is done on Ulysses — a terrific Mac and iOS app. I use it because of its great support for Markdown and for its excellent synching capabilities, as well as the clean, focused writing experience it provides.

With version 2.6, Ulysses gains the ability to publish directly to WordPress. According to the press release, “Bloggers will be able to publish their texts with just a few clicks or taps; no more exporting as HTML or Markdown, no cumbersome pasting to the WordPress backend. Bloggers can add tags, categories, excerpts and featured images, even schedule a publishing time, and preview their posts – all from within Ulysses.”

The new version also adds full support for Dropbox; the iOS version gets the “Quick Open” feature of the Mac app; and it introduces “Typewriter Mode” for an even more focuses writing environment.

Ulysses is a 2016 Apple Design Award winner. The update is free for all existing customers. The Mac app is available for $44.99 on the Mac App Store. The universal iOS version is available for $24.99 on the App Store.

For me, the update also fixed a crash-on-open bug with the macOS Sierra public beta.

It couldn’t happen to a nicer guy: Chris Breen leaves Macworld for Apple

Veteran Mac journalist and author Christopher Breen has left Macworld to join a “fruit-flavored tech company sandwiched between Santa Clara and Sunnyvale.”

Breen made the announcement on his personal blog, and confirmed it on Macworld.com.  “There are loads of reasons for the change, but blend them together and they add up to my desire to try something different before I don the large shorts and spend the bulk of my remaining days looking for my misplaced spectacles,” Breen wrote.

Chris has been a staple in Mac journalism for almost 30 years, and in that time earned a reputation as fair, honest, funny and smart. In addition to his work on Macworld, he’s authored several books, hosted innumerable podcasts and appeared on TV shows and user group meetings—all with a self-effacing, humble attitude that was as genuine as it seemed.

I’ve been a fan of Chris for more years than I can count, and have had the wonderful privilege of not only meeting him, but coming to count him as a dear friend, bandmate and colleague.

As a result of his new role, Chris will be retiring his tech persona. “I’ll be leaving the public stage as Chris Breen Technology Guy (though I may still pop up as Chris Breen Musician Guy at a saloon near you).”

As is typical of moves to that fruit-flavored tech company, Chris is mum about what his new role will entail. I can only hope that Apple knows what they have in Chris and that they take full advantage of his talents.

I couldn’t be happier for him and I wish him nothing but success in this new chapter of his life. It quite literally couldn’t happen to a nicer guy.

Audio Hijack 3 is a must-have upgrade that adds fun to a powerful utility

Rogue Amoeba released Audio Hijack 3, a major update to its audio capture and recording utility. The new version features a completely overhauled interface that makes creating and using recording workflows much easier and looks amazing.

The old: Powerful, but imposing
For years, Rogue Amoeba’s Audio Hijack Pro has been an essential utility for capturing, mixing and recording audio traveling through you Mac. And when podcasting took off, Audio Hijack obtained legendary status, making it inexpensive and relatively easy to boost production values, making it possible for indy podcasters to sound like much bigger studios.

But all that power was somewhat hidden behind a skeuomorphic interface of dials, knobs and switches, and the program’s tabbed interface made it tough to get a holistic view of your workflow.

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The way we were: A look back at RandomMaccess’ first Macworld

With the announcement that Macworld Expo is going on an indefinite hiatus (more on that later), I thought I’d wax a little nostalgic and take a look back at my first Macworld — “The Show” — back in 1999. Although RandomMaccess had gotten press credentials before, this was the first time the show’s location made it practical for our little publication to attend.

This piece is undated, but was first published around July 27, 1999. –Ed.


Somewhere between Faith Healing Revival and Grateful Dead Concert you get Macworld Expo NY ’99: a rollicking joyride of new product intros, gee-whiz technology demos and the legendary Jobs “Reality Distortion Field.”

by Chuck La Tournous

I’ve said it before: although I’d never been to a Macworld Expo before, I’m an old hand at conferences and exhibits at the Jacob Javits Center in New York. But the sight of would-be attendees lined up around a New York City block stopped me dead in my tracks.

Something’s wrong, was my first thought; they haven’t opened the doors yet. But closer inspection revealed that the doors were indeed opened. They were opened because that’s where the line around the block snaked its way into the center. And across the entrance hall. And through the registration queue.

I’ve seen crowded shows and long lines at Javits, but I’ve never seen anything like this. What was even stranger was the fact that no one seemed to mind standing in a line that must surely still be winding through the hall as I write this — some 10 hours later.

Thank goodness for press credentials, I think, as I pass them all and follow the signs to the Keynote speech.

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Apple releases iOS 8.0.2 to fix faulty update and original bugs

Apple released an update to its iOS operating system, just a day after it pulled a faulty iOS 8.0.1 updater. The new iOS 8.0.2 update addresses the same issues as the previous version as well as the Touch ID and cell connection issues the update introduced.

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This release contains improvements and bug fixes, including:

  • Fixes an issue in iOS 8.0.1 that impacted cellular network connectivity and Touch ID on iPhone 6 and iPhone 6 Plus
  • Fixes a bug so HealthKit apps can now be made available on the App Store
  • Addresses an issue where 3rd party keyboards could become deselected when a user enters their passcode
  • Fixes an issue that prevented some apps from accessing photos from the Photo Library
  • Improves the reliability of the Reachability feature on iPhone 6 and iPhone 6 Plus
  • Fixes an issue that could cause unexpected cellular data usage when receiving SMS/MMS messages
  • Better support of Ask To Buy for Family Sharing for In-App Purchases
  • Fixes an issue where ringtones were sometimes not restored from iCloud backups
  • Fixes a bug that prevented uploading photos and videos from Safari

For information on the security content of this update, please visit this website: http://support.apple.com/kb/HT1222

Early reports say the updater works as advertised, but as for me — I’ll wait until tomorrow to try it.

Apple releases statement on ‘Bend-ghazi’ brouhaha

Following reports of Apple’s iPhone 6 plus bending in users’ pockets, the company issued a statement to media outlets (via The Loop):

“Our iPhones are designed, engineered and manufactured to be both beautiful and sturdy. iPhone 6 and iPhone 6 Plus feature a precision engineered unibody enclosure constructed from machining a custom grade of 6000 series anodized aluminum, which is tempered for extra strength. They also feature stainless steel and titanium inserts to reinforce high stress locations and use the strongest glass in the smartphone industry. We chose these high-quality materials and construction very carefully for their strength and durability. We also perform rigorous tests throughout the entire development cycle including 3-point bending, pressure point cycling, sit, torsion, and user studies. iPhone 6 and iPhone 6 Plus meet or exceed all of our high quality standards to endure everyday, real life use.

With normal use a bend in iPhone is extremely rare and through our first six days of sale, a total of nine customers have contacted Apple with a bent iPhone 6 Plus. As with any Apple product, if you have questions please contact Apple.”

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It’s still unclear whether the phones are being bent while in users’ pockets or under more unusual conditions, but fans of competitor Samsung have apparently jumped on the issue with an ad that shows the iPhone literally bending down before the Samsung Galaxy Note 3. (The ad has frequently been attributed to Samsung itself, but a spokesperson said he had no knowledge of the ad and pointed out that the company would be more likely to promote its upcoming Note 4 than its existing 3.) And, from a marketing perspective, that would be a risky move for the company if its phone shows a similar proclivity.

Goodbye to Macworld, but not to those who made it great

One of the mainstays in Mac publishing is no more. Macworld will cease publishing the print version of its magazine after the November edition. It says the web version will continue publication.

The company also laid off most of its staff.

The news began breaking yesterday on Twitter, with several of Macworld’s editorial staff posting that they had been let go.

Macworld Layoff TweetsIn addition to Roman Loyola, Macworld laid off Dan Frakes, Phillip Michaels and Dan Moren. Senior Vice President and Editorial Director Jason Snell announced he was leaving the company in a decision that had been made prior to the layoffs; Serenity Caldwell also posted that she had given notice last week, and would be leaving the magazine at the end of the month. Dan Miller posted that he would be “here for another month to assist with the transition.” Senior Editor Chris Breen apparently remains the only “big name” writer left with the publication.

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Sinbad, the Sox and the long con

My friend Paul Kafasis of Rogue Amoeba is — among other things — a brilliant prankster with a lot of patience. His write-up of a “long con” he played on John Gruber is not to be missed. And as much as it pains me to say it, the fact that it was the Sox (you’ll see) makes it even better. (via The Loop)

RandomMaccess Analysis: Reuters gets it wrong in iTMS ‘Multi-Pass’ analogy

We’re bracing for the inevitable “Apple blinked” stories regarding the company’s new “Multi-Pass” option for buying content from its iTunes Music Store. From the description in a Reuters article about the service, you’d be forgiven for lumping it in with the subscription-based models offered by Rhapsody and Napster.

You’d be forgiven, but you’d still be wrong.

Start with the lead: “Apple Computer Inc.’s iTunes music and video store on Wednesday took its first step toward a monthly subscription model…” First step? the inclination is clearly that there are more steps yet to be taken, yet the article offers no evidence for this.

And this: “Apple has so far (emphasis ours) resisted calls from media companies and competitors to adopt a monthly subscription fee favored by the likes of Napster and Real Networks Inc.’s Rhapsody…” Again, the description in incremental terms, as if a subscription-based model is a mere inevitability.

But Apple’s Multi-Pass is nothing like the subscription-based model of Napster or Rhapsody. As far as we can determine, there aren’t even any recurring charges. Most importantly, the content is not “rented.” You won’t lose your ability to watch “The Daily Show” if you stop ponying up a monthly fee. It won’t be deleted from your iPod if Apple decides you’ve watched it enough.

Here’s how it works. Episodes of shows like Comedy Central’s “Colbert Report,” for instance, are sold individually for $1.99. But for $9.99, you can buy the next 16 shows and download each after it’s been broadcast.

No, Multi-Pass may be a subscription model, but only in the conventional “Hey, Mister, please support my school with a year’s worth of “National Geographics” sense. If you buy a year’s subscription to Macworld, for instance, you’ll pay a lot less per issue than if you pick them up each month at your local newsstand. But each issue is no less yours. Jason Snell isn’t coming to your house at the end of the year to collect your copies of the magazine.

For whatever insidious intent Reuters may want to ascribe to Apple’s Multi-Pass, the simple, boring truth is that it’s a retailing tactic that probably goes back to the first caveman who wanted to clear out last year’s wheels to make room for the new models. One that fast-talking, plaid-jacketed salesmen have been using ever since. “Hey buddy, they’re a dollar ninety-nine a piece, but I’ll give you the whole shebang for a mere 10 clams.”

Multi-Pass, dear readers, is nothing more complicated than a volume discount.

Keep that in mind when you read some of the pundits’ takes on it over the next few days.